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| Lady Gaga and spirit cooking |
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| Jeff Dahmer crime scene and Podesta Art |
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| Pizzagate and the rich and powerful |
Satanists love the art, museum, foundation business - for good reason. Art can have any assigned value. An art market can be created overnight in a previously unknown artist like Keith Haring. This makes art/museums antiquities a perfect way to move money around, while, at the same time, promoting inventory or stock-in-trade, art, as a store of long-term value.
A painting is worth what you say it is if you're the Getty Museum, the Hammer, the Broad, the Norval, the Huntington or the whatever-cult-tycoon is pretending philanthropy and laughing at us as we reverently troop through their art gallery front operation. There's another good, valid and unholy reason satanic cult con artists like to use art galleries foundations and museum cover structures as operational fronts.
In the case of *art* we've been POWERFULLY conditioned never to seriously question art. Anyone who says "my kid could do that- " is culturally defined as an idiot. Only an ignoramus questions art. We’ve been taught this in movies and sitcoms, we've been told a hundred ways, a thousand times: only vulgar and uneducated people criticize art. Philistines. Prudes. Hicks. Yokels. Furthermore, we are taught that art is a specialist area, and if we aren't specialists or insiders, we couldn’t possibly have anything worthwhile to say and we ought keep our crude thoughts to ourselves and our boorish mouths shut around what we don’t understand; because art is sacrosanct; the sacred self-expression of the individual.
Decades of this powerful conditioning allowed Pedosta's fat brother Tony to pose for a multi-page spread in a glitzy DC magazine with his daemonic sculpture of a gilded homosexual torture victim and with pictures of abused children in bizarre ritual locations. ART. The same conditioning protects Marina Abramovic and the crowd of *stars” and *celebrities" photographed eating an *art* corpse soaked in honey at an *art* event. It’s ART. The pedovores are rightfully confident in the powers of our conditioning to protect them that they licensed photos of themselves with forks stuck into the honeyed *art* corpse to be published in *art* & fashion magazines, blogs and supermarket tabloids. The honeyed corpse is a gnostic occult ritual. https://en.wikipedia.org/wiki/Mellified_man
Why do satanist pedovores parade their pathology in front of us? When we see Tony Pedosta, John “Skippy” Pedosta’s brother's sculpture we do not understand consciously what we are seeing is a gold leaf covered model Dahmer’s homosexual torture victim. What effect does seeing something we don’t consciously understand or necessarily recall having seen have on us?
A lot. This is the “secret” of the effectiveness subliminal and subsonic embed programming. Words and images we don’t know that we’ve seen are perceived by the unconscious component of our minds. We know this because tests using subliminal embeds not consciously seen still raises our blood pressure, increases our pulse rate, and fMRI studies show that these unperceived influences activate portions of the brain associated with memory and emotional trauma. We *do* understand sex and death images unconsciously and traumatic images are retained in memory below the threshold of conscious awareness to influence our future behavior over time. Images of sex and violence in unconscious memory affect us like PTSD caused by real world exposure to rape, torture, child pornography or physical trauma.
Information War or IW operations target the unconscious mind. This “witchcraft” works best when we are *not* aware of images we’ve been exposed to subliminally or even that we are being targeted at all.
Sculpture of Dahmer’s torture victim is presented at galleries and in publicity as fashionable, highly sought after, rare and precious work collected by knowledgeable, prominent people like Tony and John Pedosta.
satanist’s social subversion/sabotage operations exploit our strongest social conditioning. Art world institutions, galleries and foundations are trumpeted as the highest form of philanthropy and criticizing them is not just foolish it’s ungrateful. Art is a satanist controlled industrial market. Since the days of Bernard Berenson art has been used to create and launder money to authenticate forgeries and to smuggle antiquities. Big art shows and exposition are used to emotionally prime us for coming events, to predispose individuals and groups to adopt preferred attitudes, practices or behaviors in a multitude of social dimensions; while, at the same, generating enormous profits, tax breaks and (through school outreach programs) providing access to children.
https://www.artforum.com/diary/linda-yablonsky-at-the-la-moca-gala-29517
https://www.crazydaysandnights.net/2018/07/blind-items-revealed-14_5.html
http://washingtonlife.com/2015/06/05/inside-homes-private-viewing/
